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Published September 28, 2007
Whether you're cultivating a look or creating a memorable film, details matter. Few know this better
than writer-director Wes Anderson, who, with his new movie The Darjeeling Limited
hitting theaters tomorrow, sat down with us to discuss the intricacies of New York. Wearing Wallabee
boots, a white linen suit and lime-green argyle socks (and looking a bit like a young Tom Wolfe), the East
Village resident talked about restaurants, fashion and hanging with the elderly.
UD: If Rushmore's Max Fischer were in New York, where would he take a
date?
WA: Huh. I don't know, that's pretty difficult. I'm not sure. I can tell you
some restaurants and things I really love.
UD: OK.
WA: Well, in The Royal Tenenbaums, we modeled one
of the sets on this restaurant Gino. It's on Lexington between 60th and 61st. They have zebras all over the
walls. That's a good place.
UD: We'll check it out. Any others?
WA: Do you know New York Noodle
Town? It's at Bowery and Bayard. That's a really good one. Let's see what else...have you ever been to
Yakitori Totto? That's great, although I hate for the word to get out, because it's already impossible to
get a table there.
UD: Even for you?
WA: Oh yeah. They don't take reservations. For a
while I was going there a lot so they knew me and my friends, and they'd kind of try to get us in early, but
still we'd have to go wait in the karaoke place next door.
UD: Do you karaoke?
WA: A little bit.
UD: What's your song?
WA: I think the last time I was there
everybody tried to do that U2 song "One." That was a big number. And then Randy Poster, who's our music
supervisor, was singing a song by either Lionel Richie or the Commodores.
UD: So how long have you lived in New York?
WA: I moved here maybe
around '98.
UD: Five words or less, how would you describe it?
WA: Well, I'm
from Texas, so for me, what's different about New York is that it's old. I mean, a lot of New York is not
old, but in Texas, like in Houston, all the architecture is from the last 40 years or something. So New York
has history. And it's literary. When I first came to New York, I had all these ideas from books and things.
Um, so that's two words—history and literature.
UD: Any places you like to go to get ideas?
WA: Well, I just go to
friends' houses and restaurants...I used to live on East 70th Street, and I liked a restaurant around there
called Swifty's. I think it's named after a dog—Swifty the dog. It's a little bit like this place
called Mortimer's back in the old day—kind of a blue-blood, society kind of restaurant. And there are
a lot of New York stories that go in and out of there. And almost everybody who goes there is old.
UD: You like that?
WA: I do, because it's just a completely
different set and point of view than what I'm used to most of the time.
UD: Watch out, you might make it popular with a younger crowd.
WA:
Oh, yeah, hearing about the restaurant with the old people. They'll have to turn them away in droves.
UD: You're known for your fashion and the fashion in your movies. Where are you shopping
these days?
WA: Oh, I don't shop. I don't buy any clothes. Or I almost never get any
new clothes, anyway. I think because I wear suits all the time, more press requests come from fashion than
anything else. But I don't work in fashion, and I don't go to any stores. I get all my suits from the same
guy, named Mr. Ned. I wouldn't say that's exactly the height of fashion, going to Mr. Ned.
UD: Is he in New York?
WA: Yeah. And I get shirts at one place. I've
gotten them there for 10 years. And that's really my entire wardrobe.
UD: Well, what's your favorite fabric?
WA: I would say...cotton. Oh,
you know what? Seersucker.
UD: Seersucker's great. Do you have a favorite cinematic piece of
clothing?
WA: Yeah, that I love. I really like when characters in movies
have a really recognizable costume that sticks with you. For instance, in Taxi Driver, Robert De
Niro wears the same thing for the whole movie. Or no, I think he has one change. At a certain point he has
more guns, so he needs a bigger jacket.
UD: The Darjeeling Limited takes place on a train moving through India. If it had
to be filmed on a New York subway train, which one would it be on?
WA: Hmm. I think
that you'd really need a very long line. Like maybe the one that goes out to the US Open. I think it's the
purple one.
UD: The 7?
WA: Yeah, let's go with the 7.
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